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Tai Chi Chuan  Online Playshop  Lesson Page
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LESSON 13:
              
          STEP BACKWARD
/PARRY AND PUNCH (R)
          FORWARD STEP; GRASPING BIRDS TAIL
          SINGLE WHIP

 please read the following text information while the images load on the page

click>>>LESSON 1<<<here
click>>>LESSON 2<<<here
click>>>LESSON 3<<<here
click>>>LESSON 4<<<here
click>>>LESSON 5<<<here
click>>>LESSON 6<<<here
click>>>LESSON 7<<<here
click>>>LESSON 8<<<here
click>>>LESSON 9<<<here
click>>>LESSON 10<<<here
click>>>LESSON 11<<<here
click>>>PREVIOUS LESSON - 12<<<here
click>>>NEXT LESSON - 14<<<here


Letters in (  )* stand for the eight directions=N, S, E, W, NW, NE, SW, SE.
Numbers in (  )* correlate to the frame number in main lesson image below,
as much as possible...(some frames are 'in between' described movements,
in which case either I will try to redo the image, or you will need to exercise
your imagination even more than is necessary to learn any movement art from
'text and images' alone in the first place.)
Formula in brackets [W= ] denote weightedness, which is the amount of body
weight shifted to either side (L=left, R=right, even=doubleweightedness);
example: [W=70R] means 'put 70% of your weight on your right side.' The range
here will be approximate, ideally based on an individuals personal needs, abilities
and experience.   
*
You may choose to read through the text the first time disregarding these
parentheticals...it's easier!!
We OPENED  the set (Lesson 1) facing North (N); as you view
images on your monitor for the current postures (below),
imagine that you are now facing East(E) as you begin lesson 13.  As you end this lesson (Single whip) you are facing North(N) once more.

                   Step backward/Parry and punch  (right)
                   Forward step; Grasping birds tail
                   Single whip

Step backward/Parry and punch  (right)  
(
1 through 13)
     

     [Note: Looking at the names of the three postures in this lesson should reveal something to you if you have been following the lessons from the beginning...all three moves are ones we have already covered in previous lessons!!  This should make understanding this lesson, not to mention writ-
ing it, much easier.]
     As
Fling fist concludes in Lesson #12, your weight is distributed more on your right side [W= 70R].  Your right foot, pointing directly to the East, rests comfortably ahead of your left foot, which points to the corner (NE).  Your right hand is in a closed fist nested next to the bottom of your left palm at about shoulder level.  Your left hand faces due South with palm open and fingers pointing to the ceiling  (Your arms are bent at approximately 90° angles.) (1)
     
Step backward/Parry involves shifting your weight completely to your left side in order to lift up your right foot and step it backward.  As you begin to shift your weight, start to raise your right toe only up (2,3) off of the floor
and slightly twist at your waist toward your right.  As this happens [W= even], start to pull your right hand (3) in a downward arc, where it will swing down by your right hip when you conclude 
Step backward/Parry. (7,8)  [The fist
you made for
Fling fist slowly dissolves (unclenches) as it lowers downward and your hand relaxes.]  Finish raising your right toe (with your right heel resting lightly on the floor now) while you continue to lower your right arm¹
and slowly twist at your waist further turning your upper torso slightly toward your right. [W= 80L]
     Next, lift your right heel up off of the floor [W= 100L] and, shifting your weight further to your right side, pull it toward you first (4), then swing it behind you (5), all in a slightly arcing motion that brings your right foot close to your left leg as they pass.  Make certain that your left knee is sufficiently bent in order to support your full body weight as you shift it and move your right leg behind you.
     
Step backward/Parry concludes as you step your right toe down first (5)[W= 80L], then heel (6)[W= 60L],
at a comfortable distance behind you and to your right side.  Rest your right foot down with your toes pointing to the corner (SE) as you complete the slight twist of your waist toward
that corner (
SE).  As your weight shifts backward [W= 60R] to your right
side, begin to raise your left toe up so that your left foot gradually only rests on its heel. (6-8)  Simultaneous to the movement of your right leg backward, your right hand finishes its descent by your right side, where your palm faces
slightly toward the back of you (
West) and your right thumb drops to where
it grazes your right hip with your right fingers pointing to the floor. [W= 80R]
That's
Step backward/Parry.
     The second
Punch of our Wu set begins as you start to shift your weight again [W= 60R] forward (East), slowly lowering your left toe down again (9-11), pointing it straight ahead of you.  As you do, gradually twist your waist back, turning your upper torso slowly forward (East) again.      Simultaneously, start to raise your right arm back upward again, once again forming your right hand into a fist, by enclosing your four fingers with the thumb, either over them, or on the end of the fist, but not inside of the fingers. Draw your right arm up to about shoulder level [W= even] in an arcing motion, allowing your chi energy to move you and your fist forward (elbow bent!), as one, [W= 60L] until your left knee is slightly bent and aligned directly above your left toe (no further, anyway), and the punch is com-plete. (12,13) Your left palm, with fingertips up, rests alongside your right inner forearm (lower arm). Your left foot points East and your right foot is pointed at about a 30° angle to it (SE). [W= 80L]

Forward step; Grasping birds tail    
(14 through 31)

     Before the third Grasping birds tail of the set, one must make a Forward step, as the previous posture leaves one not quite at the same stage of prep-
paration as in the first two examples of
Grasping birds tail so far practiced.²
     
Forward step starts out, ironically enough, by shifting your weight backward (back to your right side) [W= 60L] as you begin to raise up your
left toe off of the floor (14), again resting your left foot on its heel only.  
When you do this, bend your right knee even more and allow yourself to
sink
at the waist a bit (by pulling your head slightly forward and bending
your waist more.)  As you sink your waist, start to rotate (pivoting at the waist) your upper torso toward your left (
NE) more. [W= 60R]
     Simultaneous to this, your elbows start to rotate away from each other slightly.  As they do, your left palm turns, from facing your right forearm (
South), with fingers up, to facing the floor, with the tips of the fingers touching lightly against (or near) your right forearm and pointing to the corn-
er (
SE).  At the same time, your right hand pulls toward you as you unclench your fist from the punch and rotate your wrist and forearm clockwise, turning your right palm up toward the ceiling.  Here you have finished shifting your
weight to your right side [W= 80R] and the true meaning of
Forward step can be realized.
     With your body aimed toward the corner (
NE) following the twisting at your waist toward your left, both of your arms are at about shoulder height and parallel to the floor.  Your hands are before you, your right palm facing up, your left palm facing down and resting by your right wrist at about
a 90° angle to it. Your left toe is pointing to the corner also (
NE) with your left foot resting lightly on the heel.  Your right foot, bearing most of your weight, points (SE) at about a 90° angle³ to the left foot.
     
Forward step begins now, in earnest, as you start to shift your weight (sorry, folks, you'll just have to get used to seeing this phrase a lot...that's Tai Chi!) forward (East) again. [W= 60R]  Here you carry both of your arms together as one with your chi, moving them only in relation to the movement of your torso, or your 'carriage' (from Websters: "car·riage; 2b: manner of bearing the body; more at BEARING; CARRY; POSTURE".)
     As you shift forward, pivot on the heel of your left foot, turning your left toe outward to the corner (
NE) (17,18); rotate at your waist your upper torso, aiming it, together with your arms, in that same direction; and slowly rest your left toe to the floor. (18)[W= even]   As your left toe lowers down, continue shifting your weight forward [W= 60L] onto your left side (East), lifting your right foot as you do (19), heel first [W= 80L], then toe [W= 100L], and step through, moving your right foot on a slight arc forward, past you, and on to rest, heel touching only (21), at a comfortable distance ahead of you in front of your right shoulder [W= 80L].
     Next, begin to shift your weight [W= 60L] forward again onto your right leg , directing your
chi towards your left (NE).  As you shift your weight forward, your right toe rests on the floor again with the heel (22,23).  Your hands are still together, either hovering or slightly touching, with right hand
palm up, left hand palm down.  As your toe rests down on the floor again, draw your hands slowly across in an arc from your left (
NE corner) to your right (SE corner) (22-25) [W= 70R]; as you do, gently rotate your arms counterclockwise so that your right palm revolves toward the NE corner,
with your left fingertips still grazing your right inner wrist and your left palm now facing
South (SW once your torso faces SE corner).
     When both hands reach the
SE corner, shift your weight back [W= 60L] onto your left leg with your torso and arms moving along as one.  As this happens both elbows bend more, bringing your hands up, with your fingertips pointing more toward the ceiling. (26)  Your right foot lifts your right
toe up, with the heel remaining on the floor.  Your left foot remains still (throughout this) at a 45° angle (pointing
NE); your right foot is now at a 45° angle (pointing SE) resting on the heel [W= 80L]. Together, your feet form at a 90° angle.
     To finish
Grasping birds tail, your whole body pivots as one on your right heel (27,28), to your left (NE corner) [W= 60L] until both feet are parallel (your left foot remains still.) The right foot rests flat (lower your toes) (29)[W= even] after you pivot.  All the time you are pivoting forward and are
shifting to your right, your left hand (still hovering at your right inner wrist) becomes more parallel to the floor as your left elbow rises slightly to equal the elevation of your right elbow (notice that before pivoting, while still facing
SE, the right elbow is elevated just above the left elbow.)
     Here's the grasp: shift your weight again back to your right side as you move
East with your hands still together, right palm facing NE (29,30)[W= 70R].  Slightly raise both elbows simultaneously (away from each other) making your right and left hands at right angles to one another (right palm
facing
North; left palm facing South).  Turn your right palm so that it faces away to your right side (East); with your left fingertips hovering against your inner right wrist, bend your right wrist downward and fold your right fingertips together (30,31) (pointing down, your fingertips and thumb tip gathered as one at the end of your fingertips so that your right hand looks 'beakish'.)
     Your right arm points
NE as you finish the posture, as both it and your left hand end up at shoulder height. Your left fingertips (pointing East) are grazing against your right wrist, and your left palm is facing South.  Your feet both
point to the
NE corner. (31) [W= 70R]

Single whip    
(31 through 35)
     
     You may have noticed by now that after each occasion of
Grasping birds tail during the form there follows a Single whip.  This combination is the most common in the set, occurring nine (9!) times; you should be getting the
"grasp" of it by now. :)[This
version is the same as in Lesson #1.]
     
Single whip begins by drawing your left foot further leftward (lift heel up first, then toe) to a comfortable distance (don't over-do, dont under-do) at a point where it is parallel with your right foot (both feet are still at 45° angles, pointing NE), and the left toe lines up even on the floor with the instep of the right foot (set toe down first, then heel).  Then, shifting your weight to your left (32-35) [W= 60R], draw your left hand in that direction too, across the front of your face, with your fingertips at eye level, pointing upward and
slightly to the right, your palm facing in.  Keep your right hand stationary through the entire posture.
     As your left hand passes your face rotate your palm away from you, with your left arm continuing to move left (
West) until it points NW at about a 45° angle to your torso, creating about a 90° angle with your right arm which is still pointing NE.  As your left palm passes in front of your face, your head begins rotating toward your left,  following the movement of your left hand (33), and rests facing the same corner (NW). As your left palm passes your face (33-34), rotates outward (34) and stops (35), palm facing away toward the left (NW) corner, your left foot moves in tandem with it, and with your turning head, by pivoting on the heel (34), turning your left toes to the corner (NW) (34-35), then settling your left toes down, creating about a 90° angle with your right foot. (35) [W= even]

           ~   ~   ~   ~   ~

(Remember to keep your knees and elbows at least slightly
bent and your pelvis tucked in throughout the set.)

(If at all possible, it is suggested that someone read the text to you - or record it
on a tape and play it back - while you slowly practice the form...and
slowly is the
best way to practice.)


notes:

¹   As your right hand lowers to your side, your left hand maintains its same position (relative to your torso); in fact, it does so throughout this entire posture. 
 _go back_

²   In each case of
grasping birds tail before, notice that the positioning of the feet differs from lesson to lesson.  Here the right foot starts out Forward step; grasping birds tail far behind, rather than even with (Lesson #1) or ahead of
(Lesson #7) the left foot.  Thus the
forward step here is necessary to position into the grasping birds tail
_go back_

³   As I have tried to emphasize here and there throughout these lessons, anywhere you see stuff like: "at a 90° angle" or "[W= 80L]" or even "(left, NW; right, NE)"....please, please, understand that these are basically my approximations.  They are certainly not cast in stone, but simply guidelines to get you moving in generally the right direction at generally the correct balance.  Though I have attempted to assign these numbers accurately, especially with regard to their relativity to each other, it's natural for each individual student to dither somewhat from these (my) norms. _go back_

                                        The links back to the above footnote numbers
will only return you to
                                                       the
very first use of that number in the above text,
                                   not to the subsequent references on this page to the same footnote number.

do not over-do     do not under-do
             
click>>>LESSON 1<<<here
click>>>LESSON 2<<<here
click>>>LESSON 3<<<here
click>>>LESSON 4<<<here
click>>>LESSON 5<<<here
click>>>LESSON 6<<<here
click>>>LESSON 7<<<here
click>>>LESSON 8<<<here
click>>>LESSON 9<<<here
click>>>LESSON 10<<<here
click>>>LESSON 11<<<here
click>>>PREVIOUS LESSON - 12<<<here
click>>>NEXT LESSON - 14<<<here

 List  of moves

FUNDAMENTALS OF
TAI CHI CHUAN
breathing
moving as one
being grounded
tan tien (center of balance)
ding jin (common axis)
continuity
single weightedness
double weightedness
yin/yang duality
bent knees and elbows
fist space/separates
moving on a curve
moving slowly

as time permits i will explain these
concepts and expand the list of
fundamentals


May I suggest the best way to see these images in the days after the lesson page has changed is to 'right click' on those images you want NOW and click
'save image as', then save it to some hard drive (the loads are
BIG!)
You can also freely copy/paste/amend the text. (But do not sell, please)

~ ~ special thanks ~ ~
to
Michael W and Shar'n
for making free cyberspace available for MORE Playshop lessons at
www.caliban.net
NOW all of the Playshop lessons should ALWAYS be available online

~ ~ ~

Follow my movement on your monitor.
   You will be performing a Right Hand Set...
(Tai chi is practiced from both sides)
 When YOU practice tai chi, move slowly
 (and hopefully less jerkily than this animation)
If the pictures stop animating on your page, hit reload (refresh)
(I've even had to "clear memory cache" first if I interrupted initial page loading)


A
different
angle
of
this
lesson
as viewed
from
the East

click>>>LESSON 1<<<here
click>>>LESSON 2<<<here
click>>>LESSON 3<<<here
click>>>LESSON 4<<<here
click>>>LESSON 5<<<here
click>>>LESSON 6<<<here
click>>>LESSON 7<<<here
click>>>LESSON 8<<<here
click>>>LESSON 9<<<here
click>>>LESSON 10<<<here
click>>>LESSON 11<<<here
click>>>PREVIOUS LESSON - 12<<<here
click>>>NEXT LESSON - 14<<<here

~   ~   ~   ~   ~

notes:
I made the Tai Chi graphic images using a reverse image option so that I could
video the Left Hand Set, then when it is viewed here on your monitor, it appears as a mirror image of a Right Hand Set, which you can emulate by following my movements.  Most Tai Chi students only learn the Right Hand Set, and it is a good way to start.  One can practice the opposite side movements (Left Hand) by practicing the reverse of the image(s) above.  I am fortunate that the students who instructed me at my 'tai chi beginning' practiced both sides of the set daily.  By learning the left and right versions (identical, just reversed) of tai chi, I believe one may gain even more.


~   ~   ~   ~   ~

more notes:

Please let me know what you like here and what really bugs you here, too
TO EMAIL HERE PLEASE MANUALLY CHANGE 'AT' TO '@'

Is there some aspect of the movement not made clear by the images (or the text, for that matter)??  Please tell me, and if I cannot clarify it with words I will try to make a new image to illustrate a way out of that confusion.


~   ~   ~   ~   ~

still more notes:

It is better by far to experience learning Tai Chi of any kind in a group setting, primarily for two reasons.  First, it's more fun! and nothing is better for learning than sharing ideas and practice with individuals who share the same interests.  By having many artisans practice together, this allows for an excellent source of useful feedback.  More than critically watching the moves as others do them, this also affords an opportunity that is unparalleled: by standing in the center surrounded by more advanced students, with every movement in every direction, the novice has a rotating view of the form.  This allows the newer student to follow all the others, even as the plane of movement tangents onto a new direction.  Turn left, a senior student is in front to follow from; turn right, another teacher is in view;
spin around 180° and, yep, you guessed it.

Though learning Tai Chi from pictures, and (sometimes even worse) from text, is not the best method to use...it is what I can offer.  Some people have little or no access to teachers or classes in their area; some have little or no money for them even if they did exist; some folk are shy and some may be to dis-eased to go to a class; it is for all these people (the ones online, at least) and of course for the martial arts intellectuals (you know who you are) that I make this meager presentation.

TAI CHI CLASSES
For anyone in or near (or just visiting) the San Francisco Bay Area, please accept our invitation to join us in our VIRTUAL REALITY PLAYSHOP
(real people), any Saturday morning from 8:45 a.m. to 9:45 a.m.
at 1819 10th Street, in Berkeley.
(The set usually begins @ 9:10 a.m. Saturday
Just take the outside stairs on the south side of Finnish Hall to the top to get in--or take the disabled folks elevator inside--if you need it)

 ~   ~   ~   ~   ~

 finally! feedback
finally, your notes:

    Scott, I HAVE FEEDBACK FOR YOU
    and/or
I wanna get email when the lesson page changes :)

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~   ~   ~   ~   ~

Only you yourself will know if you have stretched
your chi 'enough', 'too much', or even 'not enough'.  What we desire to achieve with Tai Chi is balance: to get there, moderation, not excess, is required.

~   ~   ~   ~   ~

Keep in mind while upon this new journey that we do it for our health, for our joy, for our spiritual reawakening...not to suffer more, but to complete ourselves
as beings, and rejoice of the universe.

~   ~   ~   ~   ~

With gratitude to Li Lida      (1922-1982)



SPECIAL THANKS
to Ruth, David, Lydia, Michael, Shar'n, Harold, Eileen, Robert,
and all of the other people who have helped me learn Tai Chi...

                                     



injoy.       heartLove!



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page last updated on November 27, 2006 at 5:20 P.M.


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