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Tai Chi Chuan  Online Playshop  Lesson Page
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LESSON 17:
              
             STEP FORWARD, PLANT FIST (right)
             BODY TURNS OVER, FLING FIST (right)
             FORWARD STEP, PATTING THE HORSE

 please read the following text information while the images load on the page
JUST CLICK ON ANY LESSON # BELOW TO VIEW IT
    LESSON #1          LESSON #6       LESSON #11   
    LESSON #2        LESSON #7       LESSON #12   
    LESSON #3          LESSON #8       LESSON #13 
    LESSON #4       LESSON #9       LESSON #14
      LESSON #5       LESSON #10        LESSON #15
 PREVIOUS LESSON: 
  LESSON  #16
   NEXT LESSON:   
  LESSON #18
      NAMES      
   OF POSTURES  

Letters in (  )* stand for the eight directions=N, S, E, W, NW, NE, SW, SE.
Numbers in (  )* correlate to the frame number in main lesson image below,
as much as possible...(some frames are 'in between' described movements,
in which case either I will try to redo the image, or you will need to exercise
your imagination even more than is necessary to learn any movement art from
'text and images' alone in the first place.)
Formula in brackets [W= ] denote weightedness, which is the amount of body
weight shifted to either side (L=left, R=right, even=doubleweightedness);
example: [W=70R] means 'put 70% of your weight on your right side.' The range
here will be approximate, ideally based on an individuals personal needs, abilities
and experience.   
*
You may choose to read through the text the first time disregarding these
parentheticals...it's easier!!
We OPENED  the set (Lesson 1) facing North(N); as you view
images on your monitor for the current postures (below),
imagine that you are now facing East(E) as you begin Lesson 17.  As you end this lesson (patting the horse) you are facing West(W).

                       Step forward, plant fist (right)
                       Body turns over, fling fist (right)
                       Forward step, patting the horse

Step forward, plant fist (right)  
(
1 through 10)

     
At the end of
Lesson #16, concluding with Brush knee twist step (left), your right hand rests just outside of your right leg, palm facing backward, fingers down.  Your left palm faces away (East) in a "push" at about shoulder height, fingers to the ceiling. Both elbows are slightly bent, and your right kneecap is aligned directly above (but in no case further out than) your right toe.  Your right foot points East, at a comfortable distance ahead of your left foot, which points to the corner (NE). (1) [W= 80R]
     [The part that follows here is similar to the instructions for step forward in previous lesson #4, though in the opposite direction (facing West).]

     
Begin step forward by lifting up your right heel slightly [W= 90R], turning on the ball of the right foot, and pointing your right toe to the corner (SE)(2).  Rest your right heel down again. [Now your right foot points SE, forming at about a right angle to your left foot, which is still pointing NE.] Next shift your weight forward completely onto your right knee (which unbends slightly as you step forward) as you lift your left foot, heel first (3), then toe (4), and lift your left leg up and move it forward [W= 100R], stepping through¹ (4-6).  
Then, plant your left heel only (6) at a comfortable distance ahead of you, with your knee slightly bent. [W= 90R]
     As your left leg steps through, past your right, your right hand slowly rises, in an arc, from near your right hip; your right elbow bending and your right palm/wrist rotating inward (turning from facing
West, behind you, to face North) as it does. Your left hand, remaining where it is, turns the palm from facing away (East) to facing your rising right hand (South).  Your right hand forms into a fist as it reaches its apex (6) alongside your left hand at about shoulder level.  
     
Plant fist begins as you shift your weight forward onto your left side as you simultaneously bring your right fist downward (7) before you by unbending your right elbow.  Lower your left toe down (6-9) to the ground [W= 80R] as you sink your fist, and your waist, bending your knees more and more as you do. [W = 60R]  As your fist sinks downward, rotate your left elbow, bringing your left palm down toward your right side, where it grazes,² flat, palm in, against your right forearm as it finishes its descent (10).  Continue to drop your right fist lower as you continue to shift your weight onto your left leg [W = 60L] until finally your fist is planted at a comfortable distance beneath and in front of you. (10)  Your entire torso shifts downward as one to plant your fist. [W = 80L]

Body turns over, fling fist (right)    (11 through 21)

     [Similar to
fling fist in lesson #12, though in the opposite direction (West),
and there it is preceded by
Arms make the mountain so it begins differently.]

     Body turns over, fling fist (right) begins as your right hand, still folded in a fist, begins to pull back upward, reversing its path in plant fist (11).  Your knees begin to unbend as your entire torso rises and your weight begins to shift back to your right side. [W = 60L]  As you rise up, both of your arms, remaining in close proximity to one another, are drawn, first upward, then toward your right side in an arc. (11-15)  Your left arm moves as one in tandem with your rising right arm (and torso), as your right arm bends at the elbow more and more, pulling your right fist in front of you as it rises.  
     As it does, your left toe only lifts up (11) and you begin to pivot on your left heel (12), turning your entire torso toward your right.  Your torso begins to rotate rightward at the waist as you pivot, from initially facing
East to facing eventually West, turning 180°.  Pivot on the heel of your left foot until you are pointing your left toes in front of you (South), where they rest down on the floor again (14).  Just as they do, raise your right toes only (15) and pivot on your right heel (16,17) as you further shift your weight to your right side [W= even] until you are pointing your right foot due West.  Then lower your right toes again (18-20), with your left and right foot forming a perpendicular. [W= 70R]
     Simultaneous to this movement your hands are arcing toward your right (
West), moving closer to each other as they do.  Your left palm moves in an overhand arc toward the West past your left ear (18) as your head turns toward the same direction with the motion of your turning torso.  As you fully turn your body facing West finishing fling fist, your left palm turns from facing South (at the end of plant fist) to facing due North at a comfortable distance in front of you, with your left fingers pointing to the ceiling at about chin level. (21)
     As all of this happens, your right elbow slowly swings your right fist in a
curve toward your right (West), spinning around the axis of your elbow joint (11-21) until it circles nearly once, completing fling fist.  Your right hand remains in a fist throughout this entire move, first rising upward ahead of you (East), then turning further upward and toward the South reaching its nadir, then West as it begins its descent, ending nested next to³ the bottom of your left palm. (21)  Both arms are bent at approximately 90° angles as this posture ends.  Your right foot, pointing directly to the West, rests comfortably ahead of your left foot as fling fist concludes. [W= 70R]

Forward step, patting the horse  
(21 through 27)

     Forward step continues this lesson as you start to shift your weight [W= 80R] completely to your right side, then step through with your left leg, moving it forward (West) past your weight bearing right leg, by first lifting up your left heel (21) [W= 90R], then toe (22) [W= 100R]¹.  Place your left leg at a comfortable distance ahead of you (22,23), and set down your left toe only. (23) [W= 90R]
     As you step through, you finally allow your fist to relax its grip (23), unfurling it into an open hand, turning your right palm up with fingers pointing ahead of you (
West).  Both hands are still 'holding a globe' (24).  As you can see, this forward step is quite simple and fairly elegant.
     The transition into (and conclusion of this lesson with)
patting the horse is equally simple.  It is not too similar to (specifically: not as complicated as) the first patting the horse just previous in Lesson #15.  Simply lift up your left toe (25) [W= 100R], then set down your left heel (27) [W= 90R].
     As this gentle shift takes place, a simultaneous and equally subtle movement occurs involving your hands.  They alternate positions.  Your right hand, moments before balled into a fist, shifts, by rotating at the wrist counterclockwise, from resting with palm up and fingertips aiming away (
West) to a new position with fingertips pointing up and the palm facing in toward the left hand (South). (25-27)
     As it does, your left hand shifts from its position with fingertips pointing up and palm pointing toward your right (
North), by rotating at its wrist, also counterclockwise, moving around the right hand as if holding onto a small globe or ball,³ finally resting in its new position with fingertips aiming away (West) and palm facing up.  And that's it! [W= 90R]                          [i wish they were all that easy]

    do not over-do     do not under-do   

           ~   ~   ~   ~   ~

(Remember to keep your knees and elbows at least slightly bent and your pelvis tucked in throughout the set.)

(If at all possible, it is suggested that someone read the text to you - or record it on a tape and play it back - while you slowly practice the form...and slowly is the best way to practice.)


notes:

¹   Here you are completely weighted on the right side; the only way to lift one leg up off of the ground is to have all of your weight balanced on the other leg
_
go back_

²   Slightly touching or just very close (hovering; grazing)
                                                                              
_go back_

³   Throughout this and most of the postures in the set, the hands, when near to each other especially, should be considered to be moving as one together, forming as if to hold a globe or ball.  Imagine this as much as you can.
                                                                                
_go back_
                        
                        The links back to the above footnote numbers
will only return you to
                                       the
very first use of that number in the above text,
                   not to the subsequent references on this page to the same footnote number.
                                  Use the "Back" button on your browser when in doubt.


do not over-do     do not under-do


JUST CLICK ON ANY LESSON # BELOW TO VIEW IT
    LESSON #1          LESSON #6       LESSON #11   
    LESSON #2        LESSON #7       LESSON #12   
    LESSON #3          LESSON #8       LESSON #13 
    LESSON #4       LESSON #9       LESSON #14
      LESSON #5       LESSON #10        LESSON #15
 PREVIOUS LESSON: 
  LESSON  #16
   NEXT LESSON:   
  LESSON #18
      NAMES      
   OF POSTURES  

FUNDAMENTALS OF
TAI CHI CHUAN
breathing
moving as one
being grounded
tan tien (center of balance)
ding jin (common axis)
continuity
single weightedness
double weightedness
yin/yang duality
bent knees and elbows
fist space/separates
moving on a curve
moving slowly

as time permits i will explain these
concepts and expand the list of
fundamentals


May I suggest the best way to see these images in the days after the lesson page has changed is to 'right click' on those images you want NOW and click
'save image as', then save it to some hard drive (the loads are
BIG!)
You can also freely copy/paste/amend the text. (But do not sell, please)

~ ~ special thanks ~ ~
to
Michael W and Shar'n
for making free cyberspace available for MORE Playshop lessons at
www.caliban.net
NOW all of the Playshop lessons should ALWAYS be available online

~ ~ ~

Follow my movement on your monitor.
   You will be performing a Right Hand Set...
(Tai chi is practiced from both sides)
 When YOU practice tai chi, move slowly
 (and hopefully less jerkily than this animation)
If the pictures stop animating on your page, hit reload (refresh)
(I've even had to "clear memory cache" first if I interrupted initial page loading)


    

A
different
angle
of
this
lesson
as viewed
from
the South
(opposite view from image directly above)

JUST CLICK ON ANY LESSON # BELOW TO VIEW IT
    LESSON #1          LESSON #6       LESSON #11   
    LESSON #2        LESSON #7       LESSON #12   
    LESSON #3          LESSON #8       LESSON #13 
    LESSON #4       LESSON #9       LESSON #14
      LESSON #5       LESSON #10        LESSON #15
 PREVIOUS LESSON: 
  LESSON  #16
   NEXT LESSON:   
  LESSON #18
      NAMES      
   OF POSTURES  


~   ~   ~   ~   ~

notes:
I made the Tai Chi graphic images using a reverse image option so that I could
video the Left Hand Set, then when it is viewed here on your monitor, it appears as a mirror image of a Right Hand Set, which you can emulate by following my movements.  Most Tai Chi students only learn the Right Hand Set, and it is a good way to start.  One can practice the opposite side movements (Left Hand) by practicing the reverse of the image(s) above.  I am fortunate that the students who instructed me at my 'tai chi beginning' practiced both sides of the set daily.  By learning the left and right versions (identical, just reversed) of tai chi, I believe one may gain even more.


~   ~   ~   ~   ~

more notes:

Please let me know what you like here and what really bugs you here, too
TO EMAIL HERE PLEASE MANUALLY CHANGE 'AT' TO '@'

Is there some aspect of the movement not made clear by the images (or the text, for that matter)??  Please tell me, and if I cannot clarify it with words I will try to make a new image to illustrate a way out of that confusion.


~   ~   ~   ~   ~

still more notes:

It is better by far to experience learning Tai Chi of any kind in a group setting, primarily for two reasons.  First, it's more fun! and nothing is better for learning than sharing ideas and practice with individuals who share the same interests.  By having many artisans practice together, this allows for an excellent source of useful feedback.  More than critically watching the moves as others do them, this also affords an opportunity that is unparalleled: by standing in the center surrounded by more advanced students, with every movement in every direction, the novice has a rotating view of the form.  This allows the newer student to follow all the others, even as the plane of movement tangents onto a new direction.  Turn left, a senior student is in front to follow from; turn right, another teacher is in view;
spin around 180° and, yep, you guessed it.

Though learning Tai Chi from pictures, and (sometimes even worse) from text, is not the best method to use...it is what I can offer.  Some people have little or no access to teachers or classes in their area; some have little or no money for them even if they did exist; some folk are shy and some may be to dis-eased to go to a class; it is for all these people (the ones online, at least) and of course for the martial arts intellectuals (you know who you are) that I make this meager presentation.

TAI CHI CLASSES
For anyone in or near (or just visiting) the San Francisco Bay Area, please accept our invitation to join us in our VIRTUAL REALITY PLAYSHOP
(real people), any Saturday morning from 8:45 a.m. to 9:45 a.m.
at 1819 10th Street, in Berkeley.
(The set usually begins @ 9:10 a.m. Saturday
Just take the outside stairs on the south side of Finnish Hall to the top to get in--or take the disabled folks elevator inside--if you need it)

 ~   ~   ~   ~   ~

 finally! feedback
finally, your notes:

    Scott, I HAVE FEEDBACK FOR YOU
    and/or
I wanna get email when the lesson page changes :)

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~   ~   ~   ~   ~

Only you yourself will know if you have stretched
your chi 'enough', 'too much', or even 'not enough'.  What we desire to achieve with Tai Chi is balance: to get there, moderation, not excess, is required.

~   ~   ~   ~   ~

Keep in mind while upon this new journey that we do it for our health, for our joy, for our spiritual reawakening...not to suffer more, but to complete ourselves
as beings, and rejoice of the universe.

~   ~   ~   ~   ~

With gratitude to Li Lida      (1922-1982)



SPECIAL THANKS
to Ruth, David, Lydia, Michael, Shar'n, Harold, Eileen, Robert,
and all of the other people who have helped me learn Tai Chi...

                                     



injoy.       heartLove!



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 11:11 P.M. P.S.T., Friday, May 21, 1999

page last updated on November 27, 2006 at 4:45 P.M.


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~   ~   ~   ~   ~

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