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LESSON
17:
STEP
FORWARD, PLANT FIST (right)
BODY
TURNS OVER, FLING FIST (right)
FORWARD
STEP, PATTING THE HORSE
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Letters in ( )*
stand for the eight directions=N, S, E, W, NW, NE, SW, SE.
Numbers in ( )*
correlate to the frame number in main lesson image below,
as much as possible...(some frames are 'in between' described movements,
in which case either I will try to redo the image, or you will need to
exercise
your imagination even more than is necessary to learn any movement art
from
'text and images' alone in the first place.)
Formula in brackets [W= ] denote weightedness,
which is the amount of body
weight shifted to either side (L=left, R=right, even=doubleweightedness);
example: [W=70R] means 'put 70% of your weight on your right
side.' The range
here will be approximate, ideally based on an individuals personal needs,
abilities
and experience. *You
may choose to read through the text the first time disregarding these
parentheticals...it's easier!!
We OPENED
the set (Lesson 1) facing
North(N); as you view
images on your monitor for the current postures (below),
imagine that you are now facing East(E) as you begin Lesson
17. As you end this lesson (patting the horse) you are facing West(W).
| Step
forward, plant fist (right) Body turns over, fling fist (right) Forward step, patting the horse Step forward, plant fist (right) (1 through 10) At the end of Lesson #16, concluding with Brush knee twist step (left), your right hand rests just outside of your right leg, palm facing backward, fingers down. Your left palm faces away (East) in a "push" at about shoulder height, fingers to the ceiling. Both elbows are slightly bent, and your right kneecap is aligned directly above (but in no case further out than) your right toe. Your right foot points East, at a comfortable distance ahead of your left foot, which points to the corner (NE). (1) [W= 80R] [The part that follows here is similar to the instructions for step forward in previous lesson #4, though in the opposite direction (facing West).] Begin step forward by lifting up your right heel slightly [W= 90R], turning on the ball of the right foot, and pointing your right toe to the corner (SE)(2). Rest your right heel down again. [Now your right foot points SE, forming at about a right angle to your left foot, which is still pointing NE.] Next shift your weight forward completely onto your right knee (which unbends slightly as you step forward) as you lift your left foot, heel first (3), then toe (4), and lift your left leg up and move it forward [W= 100R], stepping through¹ (4-6). Then, plant your left heel only (6) at a comfortable distance ahead of you, with your knee slightly bent. [W= 90R] As your left leg steps through, past your right, your right hand slowly rises, in an arc, from near your right hip; your right elbow bending and your right palm/wrist rotating inward (turning from facing West, behind you, to face North) as it does. Your left hand, remaining where it is, turns the palm from facing away (East) to facing your rising right hand (South). Your right hand forms into a fist as it reaches its apex (6) alongside your left hand at about shoulder level. Plant fist begins as you shift your weight forward onto your left side as you simultaneously bring your right fist downward (7) before you by unbending your right elbow. Lower your left toe down (6-9) to the ground [W= 80R] as you sink your fist, and your waist, bending your knees more and more as you do. [W = 60R] As your fist sinks downward, rotate your left elbow, bringing your left palm down toward your right side, where it grazes,² flat, palm in, against your right forearm as it finishes its descent (10). Continue to drop your right fist lower as you continue to shift your weight onto your left leg [W = 60L] until finally your fist is planted at a comfortable distance beneath and in front of you. (10) Your entire torso shifts downward as one to plant your fist. [W = 80L] Body
turns over, fling fist (right) (11
through 21) Forward
step continues this lesson as you start to
shift your weight [W= 80R] completely to your right side, then step
through with your left leg, moving it forward (West)
past your weight bearing right leg, by first lifting up your left heel
(21) [W= 90R], then toe (22) [W= 100R]¹. Place
your left leg at a comfortable distance ahead of you (22,23),
and set down your left toe only. (23) [W= 90R]
~ ~ ~ ~ ~ (Remember to keep your knees and elbows at least slightly bent and your pelvis tucked in throughout the set.) (If at all possible, it is suggested that someone read the text to you - or record it on a tape and play it back - while you slowly practice the form...and slowly is the best way to practice.)
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FUNDAMENTALS OF |
May I suggest the best way to see these
images in the days after
the lesson page has changed is to 'right click' on those images you want NOW
and click
'save image as', then save it to some hard drive (the loads are BIG!)
You can also freely copy/paste/amend the text. (But do not sell, please)
~ ~ special thanks
~ ~
to
Michael W and Shar'n
for making free cyberspace available for MORE Playshop lessons at
www.caliban.net
NOW all of the Playshop lessons should ALWAYS be available online
~ ~ ~
Follow my movement on your monitor.
You will be performing a Right Hand Set...
(Tai chi is practiced from both sides)
When YOU practice tai chi, move slowly
(and hopefully less jerkily than this animation)
If the pictures stop animating on your page,
hit reload (refresh)
(I've even had to "clear memory
cache" first if I interrupted initial page loading)

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notes:
I made the Tai Chi graphic images using a reverse image option so that
I could
video the Left Hand Set, then when it is viewed here on your monitor, it appears
as a mirror image of a Right Hand Set, which you can emulate by following
my movements. Most Tai Chi students only learn the Right Hand Set, and
it is a good way to start. One can practice the opposite side movements
(Left Hand) by practicing the reverse of the image(s) above. I
am fortunate that the students who instructed me at my 'tai chi beginning'
practiced both sides of the set daily. By learning the left and right
versions (identical, just reversed) of tai chi, I believe one may gain even
more.
~ ~ ~ ~
~
more notes:
Please
let me know what you like here and what really bugs you here, too
TO EMAIL HERE PLEASE MANUALLY CHANGE 'AT'
TO '@'
Is there some aspect of the movement not made clear by the images
(or the text, for that matter)?? Please tell me, and if I cannot clarify
it with words I will try to make a new image to illustrate a way out
of that confusion.
~ ~ ~
~ ~
still more notes:
It is better by far to experience learning Tai Chi of any kind
in a group setting, primarily for two reasons. First, it's more fun! and
nothing is better for learning than sharing ideas and practice with individuals
who share the same interests. By having many artisans practice together,
this allows for an excellent source of useful feedback. More than
critically watching the moves as others do them, this also affords an opportunity
that is unparalleled: by standing in the center surrounded by more advanced
students, with every movement in every direction, the novice has a rotating
view of the form. This allows the newer student to follow all the
others, even as the plane of movement tangents onto a new direction. Turn
left, a senior student is in front to follow from; turn right, another teacher
is in view;
spin around 180° and, yep, you guessed
it.
Though learning Tai Chi from pictures, and (sometimes even worse) from text,
is not the best method to use...it is what I can offer. Some people
have little or no access to teachers or classes in their area; some have
little or no money for them even if they did exist; some folk are shy and
some may be to dis-eased to go to a class; it is for all these people (the
ones online, at least) and of course for the martial arts intellectuals
(you know who you are) that I make this meager presentation.
For anyone in or near (or just visiting) the
San Francisco Bay Area, please accept our invitation to join us in our VIRTUAL REALITY
PLAYSHOP
(real people), any Saturday morning from 8:45 a.m. to 9:45 a.m.
at 1819 10th Street, in Berkeley.
(The set usually begins @ 9:10 a.m. Saturday
Just take the outside stairs on the south side of Finnish Hall to the top
to get in--or take the disabled folks elevator inside--if you need it)
~ ~ ~
~ ~
finally! feedback
finally, your notes:
Scott, I HAVE FEEDBACK FOR YOU
and/or
I wanna get email when the lesson page changes :)
FEEDBACK FORM:
Only you yourself will
know if you have stretched
your chi 'enough', 'too much', or even 'not enough'. What we desire
to achieve with Tai Chi is balance: to get there, moderation, not excess,
is required.
~ ~ ~
~ ~
Keep in mind while upon this new journey
that we do it for our health, for our joy, for our spiritual reawakening...not
to suffer more, but to complete ourselves
as beings, and rejoice of the universe.
~ ~ ~
~ ~
With gratitude to Li Lida (1922-1982)
SPECIAL THANKS
to Ruth, David, Lydia, Michael, Shar'n, Harold, Eileen, Robert,
and all of the other people who have helped me learn Tai Chi...
injoy. heartLove!
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FOR EASY RETURN
nothing new here in this part of the Universe since
11:11 P.M. P.S.T., Friday, May 21, 1999
page
last updated on November 27, 2006 at 4:45 P.M.
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